Christopher Fowler is a favorite crime writer of mine. His “Peculiar Crimes Unit” series, now relabeled “Bryant & May” is blend of great characters, tight plots, and lots of tidbits of London history.
“In the last few years, the role of the writer has changed. It’s no longer something you get around to doing when things are a bit quieter, it’s not enough to write a book and send it off to a publisher. You are required to play a complicated game with the media that involves a lot of planning and projections, because the ground is shifting. Publishers do a lot of things for me, but the thing they do most these days is apologise. ‘We can’t', ‘we wish’, ‘it’s not cost effective’, ‘it’s an uncertain climate.’ That’s fine, they try to help get me published and it’s all you can hope for. In England there was a long tradition of the Actor-Manager, and now there are Writer-Managers, but here’s the thing – the more a good writer does that isn’t actually writing, the worse s/he gets.”